As a Video and Film Editor, Peter has worked on everything from national spots to documentaries, sizzle reels, trailers, and corporate communications. Clients include The Discovery Channel, Lifetime, ESPN, NBC Sports, USA Network, Showtime, Madison Square Gardens, Intel, GE, Microsoft, AT&T, Teen Vogue, Ben and Jerry’s, Matlin Patterson Private Equity, and Andreessen Horowitz Venture Capital.
Peter studied film and photography at Hampshire College with famed "Photo League" photographer, Jerome Liebling, and independent filmmaker, Abraham Ravett.
Heading to New York City after college, Peter worked as a First Assistant for LIFE MAGAZINE photographer, John Dominis, PEOPLE MAGAZINE photographer, Peter Serling, and Commercial/Fine Arts photographer, Chip Forelli.
After his time as a First Assistant Photographer, Peter began his producing and post-production career as an Associate Producer, and Director of Acquisitions, for Troma, Inc., “Home of the Toxic Avenger!”
From Troma, Peter went on to work as a VFX Coordinator on a multi-film-format VFX project, “Secrets of the Luxor Temple”, directed by famed visual effects master, Douglas Trumbull, who was VFX Supervisor on “2001: A Space Odyssey”, & “Blade Runner.” The VFX Supervisor on this project was Joel Hynek, his assistant, John Gaeta-- both were future VFX Academy Award winners for “What Dreams May Come”, and “The Matrix”, respectively.
From Troma, Peter went on to work as a VFX Coordinator on a multi-film-format VFX project, “Secrets of the Luxor Temple”, directed by famed visual effects master, Douglas Trumbull, who was VFX Supervisor on “2001: A Space Odyssey”, & “Blade Runner.” The VFX Supervisor on this project was Joel Hynek, his assistant, John Gaeta-- both were future VFX Academy Award winners for “What Dreams May Come”, and “The Matrix”, respectively.
Working in L.A. as an IMAX Post-Production Supervisor, Peter has worked on some of the most technologically sophisticated IMAX films of the time for Disney, Dreamworks, WGBH/NOVA, and National Geographic.